(Omal explains how soul notes work and how each of the abilities needs a person knowledgeable in that skill to be the executive. At the end he explains what the proper number of participants should be at the minimum.) 

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Omal: .......felicitations Johnny, greetings and felicitations Russ, let us get down to business as time is limited.

Russ: well we got 45 minutes.

Omal: okay, questions please.

Russ: okay.

Omal: yes? Next question?

Russ: okay meta-concert.

Omal: yes?

Russ: all right, how do soul notes closely affect the meta-concert?

Omal: soul notes, they can and they cannot, it depends on the frequency of the soul notes and the purpose for the meta-concert.

Russ: okay, give me an example of how they would affect the meta-concert productively.

Omal: productively, in a healing meta-concert, they would be productive. In a coercion meta-concert, the frequency of the notes being in a harmonic range that is harmonious to each other or the members the meta-concert, it would have a detrimental fact in that it would drain power from the purpose of a coercive meta-concert.

Russ: okay, what about a shielding meta-concert?

Omal: shielding certainly, a harmonic shielding meta-concert with people of a similar frequency can enhance the meta-concert however, people that are not harmonically linked with their frequencies can have just as strong if not stronger meta-concert if they know how to use the variable frequencies of the different harmonic frequencies of the meta-concert of their personal beings.

Russ: okay, now say for example you have the same group of people and you have three nights, one with healing, one with coercion, one was shielding. Now, would you then switch around the various duties to make those harmonies work for the different purposes?

Omal: correct.

Russ: okay so give me an example of how if in a healing you've got one person doing executive and so on....

Omal: that would be the healer.

Russ: okay right, you would change around the next wave for coercion so that the harmonious soul notes wouldn't affect the meta-concert.

Omal: you would put the strongest coercer in charge of the final focusing as the executive.

Russ: right.

Omal: the same with any other meta-concert, if you have a strong person in that particular ability, it is useful to put them in that position. However, if they are not fully versed on their ability and only know that they have coercion and they are a strong coercer but do not know how to use coercion properly, then it would be silly to put them as the executive. You would therefore put them in the primary or the secondary.

Russ: okay.

Omal: and the same with any other function. So it is not always best to have the strongest healer as a healer. Or the strongest coercer as the executive, or the strongest psychokinesis person as the executive, it would not work in that case.

Russ: right because they don't understand its use properly.

Omal: correct. It is more important that you have an individual that understands the ability that is being used. For example you can have a very weak coercer that can have his ability enhanced a hundred fold by the meta-concert. Even though he is weak, it becomes 100% enhanced due to the fact of the other people in the meta-concert supplying the energy.

Russ: okay, now I assume then that this would be more prevalent between the conductor and the executive then the other members of the meta-concert?

Omal: correct, it is handy to have those two individuals being of like minds and like strengths however it is also important to have a strong conductor. It is not necessary for him to have any particular ability where he is strong, but be able to channel vast quantities of energy.

Russ: okay now before we discussed the fact that the conductor has to hold the energy and store it before he sends it off right?

Omal: uh-huh.

Russ: okay, now with that much energy being stored, what are the chances of the conductor overloading without channeling it out first before he channels it out?

Omal: he himself can act in an emergency situation as an executive. It is unfocused and untrained energy and it is just dissipated. It is not common for a conductor to cash in his chips. It does happen from time to time and that is usually due to inexperience or something going wrong somewhere else in the meta-concert. For example, somebody having a massive heart attack in the primary would cause a flashover which would flash in both directions and it would be the function of the conductor to take most of the energy and to take most of the blast of that individual who has just dropped out of the meta-concert therefore saving the rest of the meta-concert by expending himself.

Russ: okay, now one thing about the conductor that I'm not sure on is that in my healing where I am working on somebody and I'm draining the power out or their pain sometimes through my root or my grounding.......

Omal: uh-huh.

Russ: okay? If the conductor is properly grounded, couldn't he just ground out any excess energy coming through thereby saving himself also and the meta-concert?

Omal: sometimes it doesn't quite work that way due to the fact of the sudden energy bloom within him will override everything. Even passing down as a ground, it will scorch a path which would drag him down so that he is laid low which means?

Russ: yeah, he's laid up.

Omal: yes.

Russ: okay, now I'm trying to picture a meta-concert using that much energy and on third dimension, it's tough to imagine.....on sixth dimension, I'm sure it's much more prevalent and much more where you have to be aware of such things. But on third dimension, it's so rare where we deal with that much energy in the first place.

Omal: correct, correct but sometimes there is that possibility where you would have 30 or a 100 or 200 or a thousand people together working for a common good. You could have 56,000 people working together in a meta-concert and if they were organized correctly, they would've been able to have picked up the stage and levitated it.

(talking about a recent Grateful Dead concert I attended)

Russ: okay, now a lot of what we're discussing about meta-concert concerns future use.

Omal: exactly. Most of it is designed for prosperity.....not prosperity.

Russ: posterity.

Omal: posterity that will be passed on by people reviewing your tapes or by people that you teach, it will be passed on and passed on and then finally put into practice. You are the scribe, you are the record keeper, you are the librarian.

Russ: the communicator.

Omal: the communicator. So therefore even though you have practical experience, which is part of being a librarian that you now have the knowledge to write it down having experienced it, it is not necessary for you to do. But it is for you to understand and be able to write it down in a format where it would be easy for somebody else to read and go, "ahh, this is how you do it"....step one, step two and so on.

John: what is the ideal number of people for a meta-concert? Is there an ideal number?

Omal: no there is no ideal number but preferably five and above.

John: so does the more people that participate, does it generate more energy?

Omal: correct. By having let us say five people, you have the minimal number. You have your primary, number one primary, number two primary.....sorry secondary. You have your number one secondary and your number two secondary. You have your primary you have your conductor and your executive. Five is the bare minimum. You can practice with less, you can practice the conductor and the executive mode but it is really necessary to have five people. Six people, that is good because you would bring up one of the experienced secondaries to a primary role so that the primaries, instead of having two, has one each. If you have let us say 10, then you would split up between the secondaries and the primaries so that it would be a roughly even number and then you'd save two people for the conductor and the executive role.

John thank you.

Omal: you're welcome.

Russ: thank you Omal.

Omal: live long, prosper and, I'll be back.